A view of weekend day-trippers at a popular Parisian park overlooking the Seine, Georges Seurat's Post-Impressionist masterpiece, A Sunday on La Grande Jatte (1884–86), is a study in contradictions: a ...
Act II leaps forward a century to Seurat’s great-grandson, also an artist named George (also Syiek), who struggles to keep the creative juices flowing amid the increasing commercialization of art.