A view of weekend day-trippers at a popular Parisian park overlooking the Seine, Georges Seurat's Post-Impressionist masterpiece, A Sunday on La Grande Jatte (1884–86), is a study in contradictions: a ...
Act II leaps forward a century to Seurat’s great-grandson, also an artist named George (also Syiek), who struggles to keep the creative juices flowing amid the increasing commercialization of art.
Results that may be inaccessible to you are currently showing.
Hide inaccessible results