In the animation world, Don Bluth was an anomaly. Like many with similar professional aspirations, Bluth dreamed of working for Disney, becoming a part of the illustrious studio behind such animated ...

Don Bluth first found his “laughing place” — a term he uses to refer to an intangible mental refuge from the drudgery of existence — in the films of his lifelong hero, Walt Disney. Today an animation ...

Don Bluth, who changed the landscape of animated films with his many great works from years past, made a rare appearance at an industry event to attend the world premiere of the documentary Don Bluth: ...

“We wanted to raise the level of animation with stories like the kinds of animated movies Disney made, dramatic, with humor and happy endings.” Gary Goldman on the magic formula behind ‘An American ...

“I watch the amounts of money spent on a 3D picture, and it’s up to something like $200 million or $300 million. And it’s more people, I grow old watching the end credits. So it seems to me that ...

“I bumped into him and I was playing volleyball with all the rest of the artists, and I had no idea that he was even in the animation building,” Bluth recalled. “I didn’t even know. I was all sweaty ...

Ross Bonaime is the Senior Film Editor at Collider. He is a Virginia-based critic, writer, and editor who has written about all forms of entertainment for Paste Magazine, Brightest Young Things, ...

Add Yahoo as a preferred source to see more of our stories on Google. Don Bluth, who changed the landscape of animated films with his many great works from years past, made a rare appearance at an ...